We’ll start by checking out the first few measures of Pink’s song, “So What.” She does the whole intro by repeating “nah.” Click play on the video on the right to hear it.
Pretty catchy, huh? Okay, here’s another one you’re sure to have heard. Check out the first 45 seconds of Lady Gaga’s “Bad Romance.” With the exception of the phrase “caught in a bad romance,” the intro is all vocal sounds.
And don’t tell me you’ve never had that one stuck in your head. Let’s keep going. This is one I’ve been guilty of singing along to way more times than I’m willing to admit. This is “King of Anything” by Sara Bareilles. Check out the first ten seconds. The melody is sung entirely on the sound “oh.”
Now you might be saying “Okay, I get where you’re going with this, but these songs are all really poppy. I want to want be marketable, but I think my music is edgier than the songs you’re presenting.” To that I say, fair enough. Let’s check out some rock songs that use the same concept.
Aerosmith’s “Love in an Elevator” starts its memorable melody entirely on hums. Check out the first few measures:
Or how about Alice in Chains’ classic rock hit, “Man in a Box.” The vocal intro has no real words at all:
Let’s go back even further in time, so you can see this isn’t a new thing. Check out Cream’s “I Feel Free.” There are multiple layers of non-words happening in this intro (with the exception of the phrase “I feel free” that keeps popping in). Check it out:
I think you’re getting the idea, but I’ll give you one more just to really hammer my point home. Because, if the Beatles do it, it has to be a valid songwriting technique, right? Listen to the first few bars of “From Me to You” by the Beatles:
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